MORE CARNAGE FEATURED: COOLBYRON - ”TECHNOEXPRESSIONISM”
What happens when color stops behaving—when pigment mutinies, when structure fractures into neon revolt?
Can technology still serve the human impulse for chaos, or has it become the cage that contains it?
Encountering COOLBYRON’s Technoexpressionism feels like standing in the aftermath of an explosion and realizing the fragments are still breathing. These works—dense with geometry, delirious with color—refuse hierarchy, coherence, and restraint. Each line is an argument; each hue, a protest.
In Density AD25147M3, architecture collapses into itself—black monoliths slice through radioactive fields of pink, cyan, and acid yellow. There is no depth, only collision. The surface behaves like a battlefield where color becomes both wound and weapon. The visual energy is not decorative but insurgent—a refusal to submit to the algorithmic smoothness that defines our digital culture.
In Distant AD24224C4A, forms hover like malfunctioning satellites over a poisoned sky. The horizon burns, but it is beautiful. This work vibrates between construction and decay, between a utopian palette and a dystopian architecture. COOLBYRON wields color not as harmony but as resistance—color as noise, as carnage, as data breaking free of control.
What draws Technoexpressionism into the orbit of MORE CARNAGE is its unapologetic excess. Its refusal of silence. COOLBYRON’s work turns the digital medium—so often associated with precision and polish—into a site of chaos, an act of resistance against its own mechanisms. These images are not composed; they are detonated.
They remind us that technology cannot sterilize human impulse. Beneath every algorithm, there is still the trembling hand of a maker—angry, curious, defiant.
ABOUT COOLBYRON
COOLBYRON (Byron Winfield Keener) is an international visual artist, designer, and architect with over 30 years of experience in art and design. His practice spans abstract painting, mixed media, mural development, and environmental macro art. A self-described colorist, he approaches hue as energy, spirit, and life itself. His works fuse analog and digital techniques to create what he terms Technoexpressionism—a new visual language for the 21st century that merges color-field abstraction with digital architecture.
