MORE CARNAGE FEATURED: JEAN-MICHEL ROLLAND - “OBSESSION”
What happens when desire becomes a battlefield?
When the body—once tender, once sacred—mutates into spectacle, commodity, weapon?
Obsession is not a cry—it’s the residue of one.
A digital scream caught in the flicker of pixels, where erotic images fold and refold into something grotesque, something holy, something that refuses to be consumed cleanly. Jean-Michel Roland doesn’t just depict violence; he implicates us in it. The screen becomes a mirror, the body becomes code, and every pixel pulses with a memory of touch, shame, and reclamation.
In Obsession, the female form is fragmented and multiplied until recognition collapses. The flesh is no longer body—it’s language, history, accusation. Each frame feels like a confession dragged through the circuitry, the algorithmic echo of Rodin’s curves and Courbet’s defiance, now digitized, distorted, undone. The pixel becomes brushstroke, the error becomes gospel.
This is MORE CARNAGE: rupture over refinement, confrontation over comfort. The work refuses the etiquette of beauty, the safety of critique. It offers instead an overexposure—a saturation of seeing so violent it becomes a kind of blindness. That blindness is where the truth lives.
Obsession was chosen because it doesn’t beg to be understood. It dares to be indecent, to haunt the gaze that seeks to categorize. It risks becoming too much—and in that excess, it becomes honest.
WEBSITE: http://franetjim.free.fr/jim_eng.html
INSTAGRAM: https://www.instagram.com/jimrolland13/
“MORE CARNAGE” OUT NOW
There are no clean edges here—only fragments, trembling.
Enter the noise. Enter the wound.
The carnage continues.
View the full collection via our interactive digital gallery experience here.
