MORE CARNAGE FEATURED: ARVIE MANIQUIZ - “DISCORDIA DIGTALIS
What if beauty isn’t born from order but from its collapse?
What if the glitch—the rupture, the digital wound—isn’t an accident, but the pulse of something real trying to break through the screen?
DISCORDIA DIGITALIS (2025)
Discordia Digitalis hums like electricity under the skin. It is a digital invocation, a riot disguised as rhythm—where pixels breathe, and code dreams of chaos. Arvie Maniquiz takes the machine and lets it fail gloriously, turning error into evidence, distortion into desire.
In this work, digital perfection fractures into something more human. Every image has been through the storm: mirrored, broken, reborn. The algorithm’s cold precision is dragged through the dirt of emotion until it trembles with new life.
Encountering Discordia Digitalis feels like standing at the fault line between control and surrender. It’s a visual symphony of disobedience—a declaration that the glitch is not the enemy, but the evidence of soul. Maniquiz’s process resists the sterile perfectionism of AI aesthetics; instead, it celebrates what cannot be optimized: the flaw, the accident, the tremor that makes something truly alive.
Within the world of MORE CARNAGE, this piece functions as manifesto. It refuses the illusion of purity in digital art and turns failure into a form of creation. In a landscape obsessed with polish, Discordia Digitalis insists on friction. It’s proof that even data can bleed.
ABOUT ARVIE MANIQUIZ
No formal biography available. What remains instead is presence—an artist working where emotion meets machine, where beauty and corruption share the same code.
